From its industrial home in the heart of Detroit to the dusk-till-dawn underground events that dominate Europe’s rigorous party scene, techno knows no boundaries. In recent years, the genre has since exploded in Asia, further playing into the genre’s exponential growth across the globe. One festival in particular stands out among the rest.
It’s called Epizode Festival.
Epizode, which made its Vietnamese debut nearly one year ago, is an 11-day, immersive musical experience hosted on the country’s largest island, Phú Quốc. Picturesque views of the Gulf of Thailand and year-round tropical temperatures encapsulate the Epizode Festival experience to facilitate the natural charm of a techno-laden beach haven. The fest’s distinguished lineup featuring the likes of Carl Cox, Dixon, and Jamie Jones, amongst a handful of other house and techno mainstays, is enough to make any two-stepping aficionado swoon.
Ahead of Epizode Festival’s 2018 edition, Dancing Astronaut sat down with Music Director Roustam Mirzoev to discuss introducing an all-techno event into Vietnam’s growing music scene, and how Epizode creates an authentic presence amid the growing destination festival circuit.
[artist_bubble]The roots of Epizode are undoubtedly coming from the legendary project Kazantip Republic. The president of Kazantip – Nikita Marshunok and his core team – were doing just the same more than two decades at the Crimea peninsula, since 1991. Then they moved the event from there in order to ensure that the visitors will be safe in 2014, and were looking for a proper location which would be suitable not just for a one-time event but to settle permanently. After several attempts, we finally landed on Phu Quoc, working together with the great people from Mikhail Danilov’s Sagrado Corp. from Moscow. So this is essentially a continuation of Kazantip, but better and more exotic than ever before! The name “Epizode” came to us in 2016 and I think it matches our ideology even more. I have been personally heavily involved since this year’s edition, while having the honor of playing Kazantip festival and organizing events there many times before so was already really familiar with the team. It was always a highlight of my touring schedule for obvious reasons.[/artist_bubble]
[interviewer_bubble]Why Phu Quoc Island specifically, and how difficult or easy was it to get the country on board for a week-long electronic music festival?[/interviewer_bubble]
[artist_bubble]Actually, we had little to no problems with the authorities. We have a great team working locally with them. The economy of the land is currently growing drastically and they welcome new projects that can develop the land further. Besides that, their approval was also heavily influenced by the fact that we are not a festival in the common meaning of the word but rather a gathering of people who just want to have fun, not only dancing to the high-quality sounds from the best world-known DJs, but also to enjoy the happiness, relax at sunsets, exchange emotions, experience each other and the unique atmosphere we create. We bring a certain unmistakable vibe that people long for. You can compare it to Burning Man; it’s just not so extreme and takes place at an ocean beach instead of a desert with a lot semi-clothed people running around and having the time of their life. [/artist_bubble]

[interviewer_bubble]Considering Vietnam’s music scene is still developing, did you feel as though you were taking a risk by creating a strictly techno festival in a country where the genre is less prevalent?[/interviewer_bubble]
[artist_bubble]Believe it or not, this was often the kind of question Nikita was asked for any place where they made the event before, regardless if it was in Crimea, Georgia or Cambodia. After a short period of time, our event always changed the whole region around it. Kazantip/Epizode can be compared to those terraforming projects from sci-fi films about the future — we land on uncharted lands, build tremendous art installations, bards, decorations and dance floors and literally transform the space, time, minds, people and attitudes around us. We have done it many times before and with Vietnam’s current growth potential are sure to do it again. Also we aren’t sticking to a strictly techno paradigm — we will also have trance, drum’n’bass and breaks artists, along with a proper representation of the local scene and other great asian and related acts. We are going for a balanced schedule that could appeal to different groups.[/artist_bubble]
[interviewer_bubble]What are some reasons fans from abroad should consider going to Vietnam to check out Epizode?[/interviewer_bubble]
[artist_bubble]With everything that has to do with Kazantip before and Epizode now the aim was to create something unique. Epizode is our creation, same as all past projects, and it is definitely incomparable to anything else currently existing in the world. Look, sometimes in the movies you see those “perfect moments” when everything is just right. It sounds impossible but we’ve really always managed to give this feeling to people inside the reality we created, regardless where it was. And we will do it again, even better than before. So if you are a fan of amazing music, exotic beach locations, quality people that understand you and sunsets that will make even the hardened skeptic cry, then Epizode is definitely for you. You cannot find a more hedonistic festival on that side of the world and we take great pride in that — our sense of freedom that we provide! [/artist_bubble]
Also the food is just incredible for those moments when you need to refill between your favorite artists’ sets! [/artist_bubble]

[interviewer_bubble]What worked really well this year, and what didn’t? What additions or improvements will attendees see next year?[/interviewer_bubble]
[interviewer_bubble]What is your strategy when curating Epizode‘s lineup?[/interviewer_bubble]
[artist_bubble]I am not a fan of names for the sake of names. There is a lot of bullshit on the market and a lot of fake artists getting undeserved hype and fees for nothing, while real musicians struggle. For me, it’s a basic question of “is the music good or not?.” I always said, a really good track must give you goosebumps, going deep into your heart. So for this year we tried to do a balanced approach. We have things like a crazy 3-day HYTE takeover with major headliners, Carl Cox for New Years celebration, personal events from Luciano and Dubfire, Dixon closing out the festival and other amazing artists and showcases spread out through the whole 10 days. It really has something for everybody and we tried to stack a massive line up, so hopefully festival goers won’t have much time for sleep haha.[/artist_bubble]
[interviewer_bubble]Has Epizode considered going abroad – such as Europe, or possibly even the US? Ultimately, where is the festival headed? [/interviewer_bubble]
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