Dexter’s Beat Laboratory Vol. 68
Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.
Listen in playlist format here.
It’s been more than two years since StayLoose released his twinkling original, “Let Go,” with Andrew Paley. Today, he blesses fans with an extended vocal cut of the original track, noting that Paley “added some additional vocals to this one to make it extra special.” The inclusion of addition vocals makes this new version particularly dynamic, as Paley’s emotive voice bounces off StayLoose’s timeless future bass stylings.
Laszlo‘s time on Monstercat dates back more than four years, and in that time, he’s delivered a multitude of innovative originals, many playing off an outer space theme. He’s now revealed a full LP on the Canadian label: Liftoff. Laszlo has been building to this 10-track collection for years, with songs like “Airglow” and “Sphere” dating back to 2016. The versatile album sees Laszlo flex a full range of production talents, from drum & bass to trap and everything in between. I instantly gravitated toward “Rendezvous,” a gorgeous piece of work that takes off quietly and builds into a feel-good drum & bass track with a beautiful melody.
SevenDoors makes a bold reappearance on the mau5trap roster with his latest offering, Rising Sun. The EP’s latter half, “Spirit,” is an intricate, seven-minute piece of work that showcases the minimalist techno style he’s been debuting on the label in past releases. “Spirit” is a pensive piece, highlighted by the haunting chants of solemn choirs woven in between its dark, pulsating beat. A variety of airy synth melodies float in and out as well, setting a tranquil tone for the song surrounding them.
Following a mellow remix of TS Graye‘s “Take Notes” in September, Philly’s Instupendo is back with a new rework. This time, he’s taken on sakehands’ “GOODBYE FOREVER.” This rendition is more subdued than the original’s pop-leaning elements, as Instupendo walks the remix along with elements of percussion sakehands’ version lacked. Subtle bass and an easygoing beat make this take on “GOODBYE FOREVER” a fresh listening experience and open it up to the world of dance music a bit more.
“Darkness comes before the dawn,” red. teases to introduce his new original, “Dispatch.” While the minute-long introduction appears to lead into a bright, sunny soundscape, the artist proves to have deceived his listeners by quickly dipping into a deep, resounding bass pattern. While red. appears to have delved into a dark soundscape, he continuously leads listeners back up into the light by introducing glowing melodies. “Dispatch” is a true journey of a song and exudes a vibrantly colored aura from start to finish.