Dexter’s Beat Laboratory Vol. 121Deters Beat Lab@0.

Dexter’s Beat Laboratory Vol. 121

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here

AMTRAC‘s newest is a synth-filled sparkling venture, packed to the brim with beautiful melodies and irresistible vocals. The RCA Records venture is an impeccable combination of modern elements and nostalgic twists. It’s everything a house music fan could dream of, but it’s in a league of its own, categorized under the simple name of AMTRAC.

In early November, Grabbitz revealed his newest Ultra single: “Roam With You,” a tune soaked in emotion and vulnerability. A month later, the Brooklyn native has released a club mix of the original tune, incorporating a hastened tempo and more of notable beat in the chorus. This new interpretation opens the song up to new possibilities, making it more accessible to those crafting club sets.

Tycho‘s newest single leads to anything but its namesake: “Stress.” The relaxed single finds its place amongst the “No Stress” instrumental version and the original July release “No Stress” with Saint Sinner”—but in an unexpected way. It’s warm and breezy, embracing the listener with its enveloping synth work and dreamy melodies.

It’s been more than five years since Uppermost released the original version of “Night Walk.” But here, many years later, the artist has blessed us with a new interpretation of the track. Uppermost has reimagined the track, giving it a deeper, darker feel. It’s still the contemplative, dark piece many have grown to love—just a newer take on it.

Late last week, Matt Van released a new single, “Conifer.” The winter-ready piece took the listener inwards, encouraging them to look inward. Just one week later, Direct and Mr FijiWiji teamed up to concoct their own translation of the tune. One could argue that it’s an even more reflective construction of “Conifer,” incorporating others’ interpretations of the already-beautiful piece.

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