Adam Ten and Mita Gami bring Maccabi House to Coachella [Q&A] In an exclusive interview with Dancing Astronaut, Adam Ten and Mita Gami discuss bringing their Maccabi House sound to Coachella [Q&A]
Experts Only: The story behind the new name of John Summit’s label and event brand Featured image: Courtesy of John Summit In skiing, the signs pointing to double black diamond runs are emblazoned with a blunt warning: “Experts Only.” Beyond them…
The battle of corporate America vs DJ Hanzel [Interview] DJ Hanzel discusses his new life in America and his battle against Dillon Francis.
The Chainsmokers get candid on ‘Call Her Daddy’ guest interview: ‘There’s a lot of things we regret doing’ From rendezvous with fans in the earlier days of their career to toxic relationships to therapy and the growth that has followed, The Chainsmokers…
Toby Andrews, President of Astralwerks Records, talks philosophy, label roster, and the year ahead [Interview] Toby Andrews, President of Astralwerks Records discusses the label's successful 2022 season and the future.
DRYDEN reinvents himself with intricate debut, ‘MINUTES PAST VOL. 1’ [Interview] DRYDEN went back to the drawing board for an introductory body of work worth remembering.
Dillon Francis responds to DJ Hanzel’s small hands claim DJ Hanzel at Dillon Francis again exchange blows, this time live on the air with Geronimo at Sirius XM.
Crooked Colours are just enjoying the ride—duo dive into ‘Tomorrows’ tour, artistic origins after headlining The Fonda [Q+A] Crooked Colours played to a full house at The Fonda Theater in Los Angeles on Saturday, October 22. Read the post-show interview here.
RemK arrives at the final destination of his ‘On The Coast!’ road trip with debut EP [Interview] RemK shares a peek inside the making of his ever-on-the-move sound and brand new EP with the world.
SLANDER talk the power of leaving things open to interpretation on debut album, ‘Thrive’ [Interview] When Derek Andersen heard Kiiara’s topline on “Nothing Hurts Like Goodbye,” he cried. He listened to it over and over again, crying “many, many…
