{"id":359378,"date":"2020-03-02T14:56:03","date_gmt":"2020-03-02T19:56:03","guid":{"rendered":"https:\/\/dancingastronaut.com\/?p=359378"},"modified":"2020-03-03T15:50:04","modified_gmt":"2020-03-03T20:50:04","slug":"sippy-on-migrating-to-america-and-new-single-with-zia-deviate-interview","status":"publish","type":"post","link":"https:\/\/dancingastronaut.com\/2020\/03\/sippy-on-migrating-to-america-and-new-single-with-zia-deviate-interview\/","title":{"rendered":"Sippy on migrating to America and new single with Z\u00edA, &#8216;Deviate&#8217; [Interview]"},"content":{"rendered":"\n<p>Don&#8217;t judge a book by its cover. This is the approach to take with <a rel=\"noreferrer noopener\" aria-label=\"Sippy (opens in a new tab)\" href=\"https:\/\/dancingastronaut.com\/tag\/Sippy\" target=\"_blank\">Sippy<\/a> on every level of her work. <\/p>\n\n\n\n<p>A look at this native of Sydney Australia (whose real name is Laura Patterson), with her diminutive stature and affable smile, might create the impression of gentle reservation, and in an interview environment such as the one she agreed to with <em>Dancing Astronaut<\/em>, this is impression rings absolutely true. As an artist, however, Sippy is free of any limitations; foul-mouthed and ready for action.<\/p>\n\n\n\n<p>On stage Patterson is ferocious, challenging those in the crowd to match her vehement enthusiasm as she leaps from the decks to the crowd to the lighting rig without missing a double drop. In the studio, Patterson consistently releases some of the heaviest music in the <a rel=\"noreferrer noopener\" aria-label=\"Deadbeats (opens in a new tab)\" href=\"https:\/\/dancingastronaut.com\/tag\/deadbeats\" target=\"_blank\">Deadbeats<\/a> catalog which includes her latest single with  <a rel=\"noreferrer noopener\" aria-label=\"Z\u00edA  (opens in a new tab)\" href=\"https:\/\/soundcloud.com\/zia_sounds\" target=\"_blank\">Z\u00edA<\/a> entitled, &#8220;Deviate,&#8221; a dubstep track that harkens back to the genre&#8217;s golden age of gruesome and grimy.<\/p>\n\n\n\n<p>Now after years of hard work in Australia and fighting for her visa, Patterson has come all around the world to the United States. We discussed her introduction to bass music, her first US tour, and more. Continue below to hear &#8220;Deviate&#8221; and get the full story on one of dance music&#8217;s brightest new torch carriers.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/769599259&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"><\/iframe>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>What is it about bass music that made you want to dedicate your craft to this sound?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Sippy: &#8220;I\u2019d been writing music through school and I wanted to learn to produce, but I had no idea about electronic music, so I wanted to learn to DJ cause I figured that was the first step into producing. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Then when I started DJing, I jumped on Soundcloud and I literally went through every single genre heading and listened to around 20 tracks. House, techno, hip-hop, and all those little sub-genres. So, I went through and when I started listening to dubstep. I loved how technical it was, but I also loved the shock value of it. You think it\u2019s going one way and then it completely goes another, and you can\u2019t always predict where it\u2019s going to go. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Also, I found it amazing that they\u2019re writing these tracks, and they\u2019re completely making their own instruments and their own sounds that never existed before. You can obviously argue that you do that in every genre, but specifically with dubstep they essentially create a chorus made out of weird sounds that they\u2019ve made from scratch. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>But really it was the shock value of it. I loved that you didn\u2019t really know where you were going to land after the buildup and once you get into that drop and see and feel that reaction it\u2019s like holy shit.&#8221;<\/p><\/blockquote>\n\n\n\n<p><strong>Do you have a favorite dubstep artist?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;Yes. Well it\u2019s hard. I definitely have a few that are my favorites, but it depends whether you talk about favorites as in who at the moment I think is absolutely killing it versus my inspirations from the past. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>I think my inspiration is actually not so much from common music that\u2019s being written right now. It\u2019s based more on if I hear it and go, &#8216;fuck that\u2019s amazing.&#8217; I love everything that Svdden Death writes. Also, <a rel=\"noreferrer noopener\" aria-label=\"Leotrix  (opens in a new tab)\" href=\"https:\/\/m.soundcloud.com\/leotrixofficial\" target=\"_blank\">Leotrix<\/a> who maybe a lot of Americans don\u2019t know. He\u2019s like 19 years old. He\u2019s from Sydney Australia, and he\u2019s fucking insane. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>There are people who I listen to now, who I think are insane and amazing, but the people who I think are the dons of it are from the era of Flux Pavilion and Rusko. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>And of course, Zeds Dead. I mean I have so much more to do with them now, but before I got into the dubstep, the first dubstep tune I ever heard was that &#8216;Eyes On Fire&#8217; remix. I thought it was fucking crazy. It was the wildest shit I had ever heard, and they\u2019ve always been the real OG heroes to me.&#8221;<\/p><\/blockquote>\n\n\n\n<p><strong>You\u2019ve had several releases on Deadbeats, you\u2019re playing Deadbeats takeovers all over the world. How does it feel to be a part of the Deadbeats family?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;It\u2019s been really incredible. I think when you\u2019re in this industry or this career you\u2019re always looking at the next thing, and so even though I\u2019ve got some tracks released on Deadbeats I feel like I need to release more better ones. EPs. Albums. I\u2019m thinking so much more like that. I don\u2019t feel like I can cruise. It\u2019s almost the opposite.<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>However, a year and a half ago, I told my family, &#8216;Can you just make sure when something big happens that you pull me aside and tell me to pay attention to this?&#8217; Because I think the problem is that you\u2019re always looking for the next thing and you don\u2019t actually sit and soak up the successes happening. I\u2019ve definitely gotten a little bit better at that in the past six months. Not to feed my ego in any way, but just for those days when I\u2019m struggling and things are hard, I can remember that moment.&#8221;<\/p><\/blockquote>\n\n\n\n<p><strong>You have to give\nyourself credit for what you\u2019ve done.<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;Exactly. That\u2019s what I started doing with Deadbeats. I think it happened more so with &#8216;Ghosts.&#8217; The first one, &#8216;Lithos&#8217; which was on the compilation, was awesome, but I guess it was a bit different because it wasn\u2019t a single. It was a package release whereas &#8216;Ghosts&#8217; was all me and people are into it. I really have loved working with Deadbeats, and the culture there is really good which I love. That\u2019s important as well. Being around cool, nice people.<\/p><\/blockquote>\n\n\n\n<p><strong>It sounds like beyond releasing your music they are very supportive of you as both an artist and a person<\/strong>.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;Yeah, definitely! The other good thing about them is they\u2019re quite open minded. They don\u2019t force me to release all my songs with them. They want the songs that make sense to be released with them. I\u2019ve also released with Dim Mak and they\u2019re totally cool with it. I know even between Dim Mak and Deadbeats, quite often they\u2019re even putting the songs from each label on their playlists. They\u2019re supporting each other because they\u2019re open-minded to music. That\u2019s what you want to be a part of.&#8221;<\/p><\/blockquote>\n\n\n\n<p><strong>How was the Deviate Tour? What\u2019s it like seeing such positive reactions to your music and sets from a worldwide audience?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;It\u2019s like actually insane. The tour\u2019s been great. It\u2019s been nice and busy. Plenty of people coming out for it. It\u2019s been awesome in places I had never heard of before. I find it bizarre because I don\u2019t know where everyone\u2019s hiding.<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>I\u2019ve loved traveling through America because I feel like every state is almost like a different country. People from everywhere are quite different. There are obviously a lot of similarities, but there\u2019s a different cultural pocket in every state. Even within that state, there are other cultural pockets which I find super interesting and, on that front, I feel like I have been amazingly accepted. I love that everyone is so nice, friendly, and hospitable. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>I feel like I\u2019ve been accepted because it\u2019s a sense of community across the whole country. It\u2019s like we all get this music thing. And as I\u2019m traveling along it\u2019s like you have that similarity and that\u2019s what helps you bond. <\/p><p>I got to Washington D.C. and it was a Wednesday night which made me think it was going to be a slow show. We got there quite early because we had come from dinner. It was like doors so there weren\u2019t that many people there which made sense to me. I\u2019m a random chick from Australia. Makes sense. Then I come out to play and it\u2019s fucking rammed and I\u2019m just wondering what the fuck all these people are doing here. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>I\u2019ve gone to some of these cities and it\u2019s fucking wild how much fun it is. I had never met  Z\u00edA before, and we\u2019ve had an absolutely amazing time. I\u2019ve slowly just unleashed it on her where I\u2019m just like &#8216;I\u2019m fucking here.&#8217; Usually, I just play on my own but we\u2019ve been playing out &#8216;Deviate&#8217; and when I put on this song I jump up on the rafters and I swing around or I\u2019ll jump on the barricade and start head banging with some random person or jump up on the decks hold the roof to make sure I don\u2019t fall over. She said to me one day \u201cI don\u2019t know what you\u2019re doing or what comes over you. You can just tell me, and I\u2019ll be up for it.\u201d And \u201cI\u2019m like I don\u2019t know what\u2019s going to happen I just do it!\u201d<\/p><\/blockquote>\n\n\n\n<p><strong>How did \u201cDeviate\u201d come about? What was it like working on music with Z\u00edA?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;Essentially we realized that we would be touring together and wanted to write a track together that we could play out to start our back-to-back sets for each stop. I sent over a track idea to Lex ( Z\u00edA), and then she came up with the whole Deviate idea as telling our story. It\u2019s about breaking off from the normal social constructs and forging your own path. Working with Z\u00edA definitely gave me more insight into the American dubstep scene in terms of music.&#8221;<\/p><\/blockquote>\n\n\n\n<p><strong>So basically, the chemistry was already there before you started writing?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;Our friendship became super strong from touring, being in each other\u2019s pockets constantly, but we kind of became best friends instantly when we met each other. I honestly have so much love for her. Once we were that close, writing music together felt easy and natural. We were just honest and open with each other which makes writing with someone way easier.&#8221;<\/p><\/blockquote>\n\n\n\n<p><strong>What are some other differences between touring in the US and touring in OZ?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;The two big things for me are, first of all, I didn\u2019t really have as much of my own music in my sets. I did have my own music in my set, but only a couple tracks.<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Then people started asking whether I was going to play my music and they seemed bummed that I didn\u2019t. I was like &#8216;Oh, you guys want to hear my songs,&#8217; and they told me they listened to them every day. I didn\u2019t really think about it. These people obviously are coming to listen to my songs.<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>I was playing more unreleased tracks or the more recent ones. I didn\u2019t think about the tracks that I released a year or two ago. People in Sydney had heard them plenty of times, but the people in Washington DC have never heard me play before. So, after a few shows I shifted my set a bit and put more of my own music in my set.<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>But yeah honestly seeing how many people come out to shows here has been awesome and just seeing the people who are actually coming to see me is great and awesome and it just makes me want to work harder because I need to show that there\u2019s a reason that you guys have been following me from halfway across the world. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>The other thing is America is so big. There are so many people, but also there\u2019s so many people that want to hear bass music. I\u2019m used to OZ where we have a few awesome events for bass music and that\u2019s it. They\u2019re only on certain nights. You can\u2019t play four nights a week in OZ and have a big crowd whereas here you go on a Friday to somewhere I\u2019ve never heard of and there\u2019s hundreds of people there ready to hear it. They want to hear it. <\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>I think in OZ, too, like I\u2019ve been playing over there for quite a long time and there have definitely been times when I think I had to kind of trick people into enjoying it. It\u2019s always been my sound; it\u2019s always been bass music, but I have these little breakdowns or these edits that kind of trick people into ending up at a dubstep drop.<\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Especially when I played the more mainstream events or festivals when people are there to listen to bands. They don\u2019t want to hear me chop riddim for an hour. At those shows I kind of have to tease them into it, but that\u2019s the thing about being over here. Everyone wants to hear bass music. That\u2019s what they\u2019re there for which really awesome.&#8221;<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"In 2020 Sippy has already moved to LA from Australia, embarked on her first US tour, and just released a new single with Zia on Deadbeats entitled &#8220;Deviate.&#8221;\n","protected":false},"author":512,"featured_media":359381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12203],"tags":[22898,46170,41754,46169],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sippy on migrating to America and new single with Z\u00edA, &#039;Deviate&#039; [Interview] - Dancing Astronaut<\/title>\n<meta name=\"description\" content=\"In 2020 Sippy has already moved to LA from Australia, embarked on her first US tour, and just released a single with Z\u00edA on Deadbeats entitled &quot;Deviate.&quot;\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dancingastronaut.com\/2020\/03\/sippy-on-migrating-to-america-and-new-single-with-zia-deviate-interview\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sippy on migrating to America and new single with Z\u00edA, &#039;Deviate&#039; 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